Gu Erniang (fl. 17th – 18th centuries) was a famous Chinese inkstone artist who lived during the reign of Kangxi Emperor.She was the daughter-in-law of the famed inkstone artist Gu Shengzhi and married to her colleague Gu Qiming.During her career, she was regarded as the best of her profession in China.

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This presentation focuses on one unusual woman, Gu Erniang (fl. 1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver. Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone-making and epigraphy.

Gu Erniang is widely considered to be one of the finest known Qing period inkstone carvers. A native of the Zhuanzhu xiang area of Wumen, modern day Suzhou in Jiangsu province, Gu was born into a family of inkstone carvers, although she was certainly its most famous member and especially noted for her skills in choosing fine stones. This presentation focuses on one unusual woman, Gu Erniang (fl. 1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver. Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone-making and epigraphy. Attributed to Gu Erniang Chinese.

Gu erniang

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Medium: Limestone. Dimensions: L. 5 1/16 in. (12.9 cm); W. 3 3/4 in. (9.5 cm) Classification: Inkstone. Credit Line: Gift of Lily and Baird Hastings, 1989.

Gu Erniang, who functions as the central character of this story, was the leading carver of inkstones in her time, but also an entrepreneur and designer who, to use Ko's words, expertly promoted her own brand. Yet, while Gu's artistry and her brand became famous, the details of her life remain hidden.

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Gu Erniang subsequently succeeded and promoted the art of inkstone making due to her husband's early death. 水鴨紋澄泥硯 Her talk was titled, Gender and Material Culture: The Female Artisan Gu Erniang and the Craft of Inkstone-Making in Early Modern China. This event was co-sponsored by the Department of History. An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink on every writer’s and painter’s desk in East Asia before the invention of fountain pens. The Female Artisan Gu Erniang and the Craft of Inkstone Making in Early Modern August 19, 2020 This talk by Dorothy Ko (History|Barnard), focuses on the career of Gu Erniang, the most famous female inkstone-maker in the history of the craft, as Sun Erniang is a fictional character in Water Margin, one of the Four Great Classical Novels in Chinese literature.

A native of the Zhuanzhu xiang area of Wumen, modern day Suzhou in Jiangsu province, Gu was born into a family of inkstone carvers, although she was certainly its most famous member and especially noted for her skills in choosing fine stones. This presentation focuses on one unusual woman, Gu Erniang (fl. 1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver.
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Gu erniang

1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver. Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone Gu Erniang (顾二娘; Gùèrniáng), född okänt år, död okänt år, var en kinesisk bläckstenskonstnär.

Inkstones bearing signature marks of Gu Erniang in major museum collections Appendix 3 . 16. Inkstones function as the currency in the Higher Planes, including the Infernal Realm .
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The Social Life of Inkstones: Artisans and Scholars in Early Qing China (A Study of the Weatherhead Easet Asian Institute of Columbia University) by Dorothy Ko at AbeBooks.co.uk - ISBN 10: 0295999187 - ISBN 13: 9780295999180 - University of Washington Press - 2016 - Hardcover

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Nov 3, 2015 - 清 十八世紀顧二娘款鳳紋硯Inkstone with phoenix design Attributed to Gu Erniang (Chinese, active early 18th century) | Qing dynasty (1644

Ko clearly wants to explore the artisan as a Gender and material culture: the female artisan gu erniang and the craft of inkstone-making in early modern china lecture by dorothy ko, colombia university while we celebrate the sumptuous material culture of chinese empires–the terra cotta soldiers, the silk brocades, or the blue-and-white porcelains–we know almost nothing about the

The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage. THE LOCATION OF INKSTONE CARVER GU ERNIANG’S WORKSHOP, INherited from her father-in-law and thus not of her choosing, affirms the age-old recognition that commerce and handicraft are natural bedfellows.¹ Tucked in an alley a stone’s throw from the hustle and bustle of Chang Gate, in the northwestern quadrant of the imperial city of Suzhou, the Gu shop was convenient to merchants from … Gu Erniang, who functions as the central character of this story, was the leading carver of inkstones in her time, but also an entrepreneur and designer who, to use Ko's words, expertly promoted her own brand. Yet, while Gu's artistry and her brand became famous, the details of her life remain hidden. Gu Erniang was one of the first inkstone makers in China to attach her signature mark on her work, suggesting a heightened respect that exceptional artisans like her enjoyed. Today, because the inkstone is no longer a functional object, all inkstone artisans have to present themselves as creative artists. on an unusual woman, Gu Erniang (fl. 1700-1725) of Suzhou, who was more famous than her male kin and colleagues as an innovative inkstone-carver.